If there’s at least a tiny part of ourselves in every character we create, then what does that mean when it comes to creating bad guys? To creating the narcissist? The evil? To creating the one who wrecks havoc and tears through whatever and whoever is in their path?

Of course, writing to the humanity of these characters is the goal. That’s what gives them flesh. Finding their underbelly, exposing it, and then healing is a goal. Maybe. Destroying them? That’s a righteous goal, too.

I’m thinking about this as I prepare to go back into my novel. It’s been with beta readers and now I’m ready to enter this world again, which means I have to pull up a chair at the table headed up by a white supremacist. Of all my characters, my bad guys, and there’s plenty of them; I write crime suspense so my bad guys do heinous things, creating Raimond Davies has been the toughest.

In Stands Alone, my novel about a Mixed Blood cop who takes on a white supremacist, their ancestors are the soldiers in this war. Which means I wrote their histories, too. I know who Raimond’s father was and what he did to him. I know who his grandma was and how filthy and mean she was. I know who Raimond was as a small boy at the mercy of the adults in his life and how that set him on a course of hatred.

I think that in the many hours I’ve spent with this story, and the many more to come, my own ancestors settle on the loveseat in my office. Native men and women who fought the destructive forces of white men for their families and their tribes. African women who endured unimaginable atrocities and yet never stopped fighting for their freedom. They keep the sage burning, the drums pounding as they wrap their arms around me, whispering that this is the story that I need to tell. That only I can tell. They say it’s okay. That I’m safe from the horror on the page, from the horror in my imagination. They tell me I’m honoring the fight. Their fight.

My fight.

But damn.